Category: The Madonna

Before quitting the subject of the Riposo, I must mention a very pretty and poetical legend which I have met with in one picture only : a description of it may, however, lead to the recognition of others. There [was] in the collection of Lord Shrewsbury, at Alton Towers, a Riposo attributed to Giorgione, remarkable […]

Of the various titles given to the Virgin Mary, and thence to certain effigies and pictures of her, some appear to me very touching, as expressive of the wants, the aspirations, the infirmities and sorrows, which are common to poor suffering humanity, or of those divine attributes from which they hope to find aid and […]

According to some authorities, the Holy Family sojourned in Egypt during a period of seven years, but others assert that they returned to Judea at the end of two years. In general, the painters have expressed the Return from Egypt by exhibiting Jesus as no longer an infant sustained in his mother’s arms, but as […]

WHEN the Holy Family, under divine protection, had returned safely from their sojourn in Egypt, they were about to repair to Bethlehem ; but Joseph hearing that Archelaus “did reign in Judea in the room of his father Herod, he was afraid to go thither : and being warned of God in a dream, he […]

The simplest form of the family group is confined to two figures, and expresses merely the relation between the Mother and the Child. The motif is precisely the same as in the formal, goddess-like, enthroned Madonnas of the antique time ; but here quite otherwise worked out, and appealing to other sympathies. In the first […]

In this volume, as in the former ones, I have adhered to the distinction between the devotional and the historical representations. I class as devotional all those which express a dogma merely ; all the enthroned Madonnas, alone or surrounded by significant accessories or attendant saints ; all the Mystical Coronations and Immaculate Conceptions ; […]

Ital. La Madonna col Bambino. La Madonna col celeste suo Figlio. Fr. La Vierge et l’Enfant Jésus. Ger. Maria mit dem Kind. There is yet another treatment of the Madonna and Child, in which the Virgin no longer retains the lofty goddess-like exaltation given to her in the old time. She is brought nearer to […]

A beautiful version of the Mater Amabilis is the MADRE PIA, where the Virgin in her divine Infant acknowledges and adores the Godhead. We must be careful to distinguish this subject from the Nativity, for it is common, in the scene of the birth of the Saviour at Bethlehem, to represent the Virgin adoring her […]

The famous Correggio in the Uffizi, Florence, is also a Madre Pia. It is very tender, sweet, and maternal. The Child lying on part of his mother’s blue mantle, so arranged that while she kneels and bends over him she cannot change her attitude without disturbing him, is a concetto admired by critics in sentiment […]

That which the genius of the greatest of painters only once expressed, we must not look to find in his predecessors, who saw only partial glimpses of the union of the divine and human in the feminine form; still less in his degenerate successors, who never beheld it at all. The difficulty of fully expressing […]